Greek Tragedy sets ancient tragedy into its original theatrical, political and ritual context and applies modern critical approaches to understanding why tragedy continues to interest modern audiences.
* An engaging introduction to Greek tragedy, its history, and its reception in the contemporary world with suggested readings for further study
* Examines tragedy’s relationship to democracy, religion, and myth
* Explores contemporary approaches to scholarship, including structuralist, psychoanalytic, and feminist theory
* Provides a thorough examination of contemporary performance practices
* Includes detailed readings of selected plays
Tabela de Conteúdo
List of Figures.
Preface.
Introduction.
Part I Tragedy in Its Athenian Context.
1 What Was Tragedy?.
Definitions of Tragedy.
What Did It Do?.
Where Did It Come From?.
How Were the Plays Performed?.
2 Tragedy and the Polis.
Democracy.
Empire and Hegemony.
Performance Setting.
Rhetoric.
Referentiality.
Ideology.
Nothing to Do with the City?.
3 Tragedy and Greek Religion.
Dionysos.
Sacred Time and Space.
Ritual Practices.
Ritual Practice in Tragedy.
Greek Gods and Mortals.
Tragedy and Myth.
Euripides’ Bacchai.
Part II Thematic Approaches.
4 War and Empire.
Aeschylus’ Persians.
Aeschylus’ Oresteia.
Euripides’ Iphigeneia at Aulis.
5 Family Romance and Revenge in the House of Atreus.
Euripides’ Elektra.
Sophocles’ Elektra.
6 Victims and Victimizers.
Euripides’ Trojan Women.
Euripides’ Hekabe.
Euripides’ Medea.
7 The King and I.
Sophocles’ Antigone.
Sophocles’ Oedipus Tyrannos.
8 Epilogue: Modern Performances (with Sue Blundell).
References.
Index
Sobre o autor
Nancy Sorkin Rabinowitz is the Margaret Bundy Scott Professor of Comparative Literature at Hamilton College, where she teaches tragedy, modern drama, and nineteenth- and twentieth-century fiction. She is the author of Anxiety Veiled: Euripides and the Traffic in Women (1993), as well as the co-editor of Feminist Theory and the Classics (1993), Among Women: From the Homosocial to the Homoerotic in the Ancient World (2002), and Women on the Edge: Four Plays by Euripides (1998), for which she translated Euripides’ Alcestis.
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