Polyvocal Bob Dylan brings together an interdisciplinary range of scholarly voices to explore the cultural and aesthetic impact of Dylan’s musical and literary production. Significantly distinct in approach, each chapter draws attention to the function and implications of certain aspects of Dylan’s work—his tendency to confuse, question, and subvert literary, musical, and performative traditions. Polyvocal Bob Dylan places Dylan’s textual and performative art within and against a larger context of cultural and literary studies. In doing so, it invites readers to reassess how Dylan’s Nobel Prize–winning work fits into and challenges traditional conceptions of literature.
Tabela de Conteúdo
1. Introduction: The Foreign Sounds of Dylan’s Literary Art
.- 2. Restless Epitaphs: Revenance and Dramatic Tension in Bob Dylan’s Early Narratives.- 3. Dylan’s Deixis
.- 4. Not Just Literature: Exploring the Performative Dimensions of Bob Dylan’s Work
.- 5. The Complexities of Freedom and Dylan’s Liberation of the Listener
.- 6. “Blowin’ in the Wind”: Bob Dylan, Sam Shepard, and the Question of American Identity
.- 7. Bob Dylan’s “Westerns”: Border Crossings and the Flight from “the Domestic”
.- 8. “I Don’t Do Sketches from Memory”: Bob Dylan and Autobiography
.- 9. Beyond Genre: Lyrics, Literature, and the Influence of Bob Dylan’s Transgressive Creative Imagination.
Sobre o autor
Nduka Otiono is Assistant Professor at the Institute of African Studies, Carleton University, CA. Along with two volumes of poetry and a collection of short stories, he is co-editor of Camouflage: Best of Contemporary Writing from Nigeria (2006).
Josh Toth is Associate Professor of English at Mac Ewan University, CA. He is author of The Passing of Postmodernism: A Spectroanalysis of the Contemporary (2010) and Stranger America: A Narrative Ethics of Exclusion (2018).
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