This is what austerity looks like: a nation surviving on the results of what conservatives privately call ‘the progressive nonsense’ of the Big Society agenda.
In a journey that begins and ends in the capital, but takes in Belfast, Aberdeen, Plymouth and Brighton, Hatherley explores modern Britain’s urban landscape and finds a short-sighted disarray of empty buildings, malls and glass towers. Yet while
A New Kind of Bleak anatomizes ‘broken Britain, ‘ Hatherley also looks to a hopeful future and discovers fragments of what it might look like.
Illustrated by Laura Oldfield Ford, author and artist of
Savage Messiah.
Sobre o autor
Owen Hatherley was born in Southampton, England in 1981. He received a Ph D in 2011 from Birkbeck College, London, for a thesis on Constructivism and Americanism. He writes regularly on architecture and cultural politics for Architects Journal, Architectural Review, Icon, The Guardian, The London Review of Books and New Humanist, and is the author of several books: Militant Modernism (Zero, 2009), A Guide to the New Ruins of Great Britain (Verso, 2010), Uncommon: An Essay on Pulp (Zero, 2011), A New Kind of Bleak: Journeys through Urban Britain (Verso 2012), Across the Plaza (Strelka, 2012) and Landscapes of Communism (Penguin 2015). He also edited and introduced an updated edition of Ian Nairn’s Nairn’s Towns (Notting Hill Editions, 2013). He lives in Woolwich and Warsaw.
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