Although the dramatic dimension to Joseph Conrad’s fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad’s plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.
Tabela de Conteúdo
List of Illustrations Acknowledgements A Note on Texts Introduction: Why Conrad’s Plays ‘A Jolly Cold World’: An Introduction to the Theatre of Joseph Conrad ‘A Tragedy in Modern Life’: One Day More ‘A Grim and Weird Play’: Basil Macdonald Hastings’s Victory ‘A Play of Unbearable Horror’: Laughing Anne ‘A Most Disturbing Play’: The Secret Agent Conclusion: ‘A Terribly Searching Thing’ Bibliography Index
Sobre o autor
RICHARD J. HAND is Reader in Theatre and Media Drama at the University of Glamorgan, Wales, UK. His principal research interest is the theory and pratice of adaptation across a variety of media and genre with a special interest in the dramatization of Joseph Conrad’s fiction.
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