Autor: Rikke Platz Cortsen

Rikke Platz Cortsen is currently working on a postdoctoral project funded by the Danish Independent Research Council (FKK) about space and place in contemporary Nordic comics at the Department of Arts and Cultural Studies of the University of Copenhagen, Denmark. She has published several articles on various aspects of comics scholarship, and has presented at a number of international conferences. Her most recent publication is “Full Page Insight: The Apocalyptic Moment in Comics Written by Alan Moore” (Journal of Graphic Novels and Comics 5.4 (2014)) She is a founding member of the Nordic Network for Comics Research (NNCORE).Erin La Cour is a Lecturer in Literature and Media Studies at the University of Amsterdam, Netherlands. Her current research focuses on the intersection of media, aesthetics, and archive theory, especially in the context of art and museal practice. She was project advisor for the Van Abbemuseum”s “Black or White” (2013), an exhibition that challenged the exclusion of comics in the museum. Her most recent publications on the topic include “Sequential Art in the Museum” (Radically Yours 8 (2013): 11–14) and a co-authored chapter “Coding/Decoding the Archive” (with David Gauthier, in The Postcolonial Museum: The Pressures of Memory and the Bodies of History, Ashgate, 2014).Anne Magnussen is Associate Professor at the Department of History of the University of Southern Denmark, Odense. She has edited books on comics, place and history, and written articles on Spanish and Latin-American comics as aesthetic, historical and political signs. Her most recent publications on comics are “The New Spanish Memory Comics. The Example of Cuerda de presas” (European Comic Art 7.1 (2014): 56–84); and “Spanish Comics and Politics” (in Comics and Politik, Christian A. Bachmann Verlag, 2014). She is a founding member of the Nordic Network for Comics Research (NNCORE).