A monograph on the artist, Chila Kumari Burman, which looks at her work in terms of her South Asian identity, her contribution to the black arts movement and Stuart Hall’s definitions of ‘new ethnicities’ in contemporary Britain.

Rina Arya examines a wide range of works made by the artist from the mid-1980s but focuses on her Ice-Cream series of works (2006-2008) and her Bindi Girls series.

Rina Arya is Reader in Visual Communication at Wolverhampton University.