What does it mean to talk about law as theater, to speak about the ‘performance’ of transactions as mundane as the sale of a pig or as agonizing as receiving compensation for a dead kinsman? In Dark Speech, Robin Chapman Stacey explores such questions by examining the interaction between performance and law in Ireland between the seventh and ninth centuries.
Exposing the inner workings of the Irish legal system, Stacey examines the manner in which publicly enacted words and silences were used to construct legal and political relationships in a society where traditional hierarchies were very much in flux.
Law in early Ireland was a verbal art, grounded as much in aesthetics as in the enforcement of communal norms. In contrast with modern law, no sharp distinction existed between art and politics. Visualizing legal events through the lens of procedure, Stacey helps readers recognize the creative, fluid, and inherently risky nature of these same events.
While many historians have long realized the mnemonic value of legal drama to the small, principally nonliterate societies of the early Middle Ages, Stacey argues that the appeal to social memory is but one aspect of the role played by performance in early law. In fact, legal performance (like other more easily recognized forms of verbal art) created and transformed as much as it recorded.
Tabela de Conteúdo
Introduction
Chapter One: The Play’s the Thing
Chapter Two: Jurists on Stage
Chapter Threee: The Power of the Word
Chapter Four: Voicing Over
Chapter Five: Voices Within the Law
Conclusion: The Dangers of Performance
List of Abbreviations
Notes
Bibliography
Index
Acknowledgments
Sobre o autor
Robin Chapman Stacey is Professor of History at the University of Washington. Her book The Road to Judgment: From Custom to Court in Medieval Ireland and Wales, also published by the University of Pennsylvania Press, was awarded the John Nicholas Brown Prize of the Medieval Academy of America.
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