A stunning collection of cutting-edge essays which brings together the leading scholars in visual research. Clearly structured, and written in an engaging and accessible style throughout, this invigorating work will be the ′must have′ text for teachers and students of `the visual′ across the arts, humanities and social sciences.
– Elaine Campbell, Reader in Criminology, Newcastle University
This is a book about research that takes the challenge of the internet seriously, that rises above disciplinary difference and points to new directions for social research.
– Rob Walker, Emeritus Professor, University of East Anglia
This innovative book examines and introduces cutting edge visual methods in social research.
It explores the development of visual methodology as a field of interdisciplinary and post-disciplinary practice spanning scholarly and applied concerns. Positioned at the innovative edge of theory and practice in contemporary visual research, Pink′s engaging book goes beyond the methods, ideas and fields of practice outlined in existing texts and handbooks.
This book examines:
-How new theoretical and methodological engagements are developing and emerging in research practice;
-the impact new approaches are having on the types of knowledge visual research produces and critiques;
-the ways visual research intersects with new media;
-and the implications for social and cultural research, scholarship and intervention.
This book will be essential reading for any student or researcher thinking of using visual methods in their own research.
Sarah Pink is Professor of Social Sciences at Loughborough University.
Tabela de Conteúdo
PART ONE: KEY DEVELOPMENTS AND ISSUES
Advances in Visual Methodology: An Introduction – Sarah Pink
Visual Ethics in a Contemporary Landscape – Andrew Clark
PART TWO: VISUAL PRACTICES AND VISUALING PRACTICE
The Politics and Practices of Looking: CCTV Video and Domestic Kitchen Practices – Lydia Martens
Video in Analytic Practice – Jon Hindmarsh and Dylan Tutt
Virtual/Visual Ethnography: Methodological Crossroads at the Intersection of Visual and Internet Research – Elisenda Ardévol
PART THREE: NEW VISUAL SPATIALITIES
Community Mapping as Auto-Ethno-Cartography – Cristina Grasseni
Visual Ethnography and the Internet: Visuality, Virtuality and the Spatial Turn – Sarah Pink
Geomedia-Based Methods and Visual Research. Exploring the Theoretical Tenets of the Localization and Visualization of Mediated Social Relations with Direct Visualization Techniques – Francesco Lapenta
PART FOUR: PUBLIC SCHOLARSHIP, ARTS AND VISUAL INTERVENTION
Ethno-Mimesis and Participatory Arts – Maggie O′Neill
Healing Mirrors: Body Arts and Ethnographic Methodologies – Christina Lammer
Digital Technologies, Visual Research and the Non-Fiction Image – Roderick Coover with Pat Badani, Flavia Caviezel, Mark Marino, Nitin Sawhney, William Uricchio
PART FIVE: TOWARDS AN INTERDISCIPLINARY VISUAL METHODOLOGY?
An Anthropologist in the Film Archives: Interdisciplinary Approaches – Marcus Banks
Visualizing Interior Worlds: Interdisciplinary Routes to Knowing – Susan Hogan and Sarah Pink
Contemplating the State of Visual Research: An Assessment of Obstacles and Opportunities – Luc Pauwels
Sobre o autor
Sarah Pink is Professor of Design and Emerging Technologies, Founding Director of the Emerging Technologies Research Lab at Monash University Australia and Associate Director of Monash Energy Institute. She is International Guest Professor at Halmstad University in Sweden, Adjunct Distinguished Professor at RMIT University Australia, where she was previously Director of the Digital Ethnography Research Centre. She is also Visiting Professor in the Design School and Fellow of the Institute of Advanced Studies at Loughborough University, where she was formerly Professor of Social Sciences. Sarah is a Fellow of the Academy of the Social Sciences in Australia.Sarah is a world leader in innovative digital, visual and sensory research and dissemination methodologies, which she engages in interdisciplinary projects with design, engineering and creative practice disciplines to engage with contemporary issues and challenges. She is known globally for her design anthropological research and collaboration across disciplines and with partners inside and outside academia. She has developed and collaborated in visual ethnography research across the world, including in the United Kingdom, Spain, Sweden, Australia, Brazil, Chile and Indonesia.