Iconomy: Towards a Political Economy of Images argues that imagery of all kinds has become a definitive force in the shaping of contemporary life. While immersed in public politics and private imaginaries, such imagery also operates according to its own logic, potentialities, and limitations. This book explores viral imagery—the iconopolitics—of the pandemic, U.S. Presidents Trump and Biden, Black Lives Matter, as well as the rise of a “black aesthetic” in white artworlds. Having arrived at the term “iconomy” in the years just prior to 9/11, and tracking its growing relevance since then, Smith argues that its study does not require a discipline serving nation states and globalizing capitalism but, instead, a deconstructive interdiscipline that contributes to the politics of planetary world-making.
Tabela de Conteúdo
List of Illustrations; Acknowledgments; Introduction: Epidemic Images; Part I A Brief History of Iconomy, 1. A Strange Image: Seeing the Dreaming, 2. Iconoclash in Byzantium, 3. Commodities and Chains, 4. The Image in the Era of Its Technical Reproducibility, 5. Spectacle: Architecture and Occlusion, 6. Iconomy: What’s in a Name?; Part II Iconoclash, 7. The Spike-Crowned Virus, 8. Trumpmania, 9. Incident at Powderhorn, May 25, 2020, 10. Videodeath 1991 and 2020: King vs Floyd, 11. The Contest of the Images, 12. Image War, Civil War? January 6, 2021, 13. White Artworlds/Black Aesthetics, 14. The Trial: Aggressive Non-violence; Part III Toward Political Iconomy, 15. Iconomic Value: An Accounting; Index
Sobre o autor
Terry Smith is Andrew W. Mellon Professor of Contemporary Art History and Theory in the Department of the History of Art and Architecture at the University of Pittsburgh, Professor in the Division of Philosophy, Art, and Critical Thought at the European Graduate School, and Lecturer at Large in the Curatorial Program of the School of Visual Arts, New York.
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