Autor: UK) Pollock Griselda (University of Leeds

In this selection of recent essays, Pollock insightfully engages all major areas of contemporary theory, especially focusing on sexed subjectivities, post-colonialism and Marxist-informed history. In …

This title was first published in 2000. Published in two volumes, ‘Work and the Image’ addresses a critical theme in contemporary social and cultural debates whose place in visual representation has …

This title was first published in 2000. Published in two volumes, ‘Work and the Image’ addresses a critical theme in contemporary social and cultural debates whose place in visual representation has …

This title was first published in 2000. "Work and the Image", published in two volumes, addresses a critical theme in contemporary social and cultural debates whose place in visual …

This title was first published in 2000. "Work and the Image", published in two volumes, addresses a critical theme in contemporary social and cultural debates whose place in visual …

In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our …

In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our …

Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encou …

Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encou …

In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase ‘the concentrationary universe’ to describe the camps as a terrible political experiment in the …

Concentrationary Memories has, as its premise , the idea at the heart of Alain Resnais”s film Night and Fog (1955) that the concentrationary plague unleashed on the world by the Nazis in the 1930s …