The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Tabela de Conteúdo
1. Introduction: Approaching the Holocaust in the 21st Century, Victoria Aarons and Phyllis Lassner.- 2. Elie Wiesel’s Quarrel with God, Alan L. Berger.- 3. Primo Levi’s Last Lesson: A Reading of The Drowned and the Saved, Anthony C. Wexler.- 4. What We Learn, At Last: Recounting Sexuality in Women’s Deferred Autobiographies and Testimonies, Sara R. Horowitz.- 5. Ghetto in Flames: The Warsaw Ghetto Uprising in Early Postwar Jewish Fiction, Avinoam Patt.- 6. The Nazi Beast at the Warsaw Zoo: Animal Studies, the Holocaust, The Zookeeper’s Wife, and See Under: Love, Naomi Sokoloff.- 7. When Facts Become Figures: Figurative Dynamics in Youth Holocaust Literature, Joanna Krongold.- 8. Jewish Boys on the Run: The Revision of Boyhood in Holocaust Fiction and Film, Phyllis Lassner.- 9. “I sometimes thought I was listening to myself”: Identity-Deliberation after the Holocaust in Chaim Grade’s “My Quarrelwith Hersh Rasseyner”, Megan V. Reynolds.- 10. “The Relatedness of the Unrelatable”: The Holocaust as Trope in Caryl Phillips’s The Nature of Blood, Paule Lévy.- 11. The Holocaust in Works by Two Yiddish Writers in Argentina: Simja Sneh and Israel Aszendorf, Alan Astro.- 12. Edgar Hilsenrath’s Novels: Der Nazi & der Friseur and Berlin… Endstation, Till Kinzel.- 13. Transit and Transfer: Between Germany and Israel in the Granddaughters’ Generation, Ashley Passmore.-14. Holocaust Memories and Polish Catholic Identity: Cultural Transmutations of Warsaw Ghetto Uprising, Rachel F. Brenner.- 15. Post-Soviet Migrant Memory of the Holocaust, Karolina Krasuska.- 16. Vasily Grossman and Anatoly Rybakov: Soviet Sources of Historical Memory of the Holocaust, Alexis Pogorelskin.-17. Refractions of Holocaust Memory in Stanisław Lem’s Science Fiction, Richard Middleton-Kaplan.- 18. Poetry of Witness and Poetry of Commentary: Responses to the Holocaust in Russian Verse, Marat Grinberg.- 19. “At Last to a Condition of Dignity”: Anthony Hecht’s Holocaust Poetry, David Caplan.- 20. Wound Marks in the Air and the Shadows Within: A Poetic Examination of Dan Pagis, Paul Celan, and Nelly Sachs, Shellie Mc Cullough.- 21. The Dark Side of Holocaust Era Poetry: Nazi Poetry Promoting Antisemitism and Genocide, Cary Nelson.- 22. Holocaust Drama Imagined and Re-Imagined: The Case of Charlotte Delbo’s Who Will Carry the Word?, Holli Levitsky.- 23. Wresting Memory as We Wrestle with Holocaust Representation: Reading László Neme’s Son of Saul, Gila Safran Naveh.- 24. Troubled Aesthetics: Jewish Bodies in Post-Holocaust Film, Jessica Lang.- 25. Screen Memories: Trauma, Repetition, and Survival in Sidney Lumet’s The Pawnbroker, Sandor Goodhart.- 26. Haunted Dreams: The Legacy of the Holocaust in And Europe Will Be Stunned, Melissa Weininger.- 27. “Master Race”: Graphic Storytelling in the Aftermath of the Holocaust, Victoria Aarons.- 28. The Challenges of Translating Art Spiegelman’s Maus, Martín Urdiales-Shaw.- 29. We Are a Long Way Past Maus: Responsible and Irresponsible Holocaust Representations in Graphic Comics and Sitcom Cartoons, Jeffrey Scott Demsky.- 30. Claustrophobic in the Gaps of Others: Affective Investments from the Queer Margins, Golan Moskowitz.- 31. Recrafting the Past: Graphic Novels, the Third Generation and Twenty-First Century Representations of the Holocaust, Claire Gorrara.- 32. X-Men at Auschwitz? Superheroes, Nazis, and the Holocaust, Edward B. Westermann.- 33. An Iconic Image through the Lens of Ka-tzetnik: The Murder of the Mother and the Essence of Auschwitz, David Patterson.- 34. Photographing Survival: Survivor Photographs of, and at, Auschwitz, Tim Cole.- 35. A Reconsideration of Sexual Violence in German Colonial and Nazi Ideology and its Representation in Holocaust Texts, Elizabeth R. Baer.- 36. The Place of Holocaust Survivor Videotestimony: Navigating the Landmarks of First-Person Audio-Visual Representation, Oren Baruch Stier.- 37. Beckett’s Holocaust, Ira Nadel.- 38. The Auschwitz Women’s Camp: An Overview and Reconsideration, Sarah Cushman.- 39. Aryan Feminity: Identity in the Third Reich, Wendy Adele-Marie.- 40. Reconsidering Jewish Rage after the Holocaust, Margarete Myers Feinstein.- 41. Impossible Holocaust Metaphors: Shoes, Matter, Memory, Sharon B. Oster.- 42. From Holocaust Studies to Trauma Studies and Back Again, Hilene Flanzbaum.
Sobre o autor
Victoria Aarons is O.R. and Eva Mitchell Distinguished Professor of Literature at Trinity University, USA. She is the author or editor of 11 books, including The New Diaspora: The Changing Landscape of American Jewish Fiction (2015); The Cambridge Companion to Saul Bellow (2016); Third-Generation Holocaust Narratives: Memory in Memoir and Fiction (2016); Third-Generation Holocaust Representation: Trauma, History, and Memory (co-authored with Alan Berger) (2017), The New Jewish American Literary Studies (2019), and Holocaust Graphic Narratives: Generation, Trauma, and Memory (2019).
Phyllis Lassner is Professor Emerita in The Crown Center for Jewish and Israel Studies and The Gender Studies Program at Northwestern University, USA. Her publications include British Women Writers of World War II (1998), Colonial Strangers: Women Writing the End of the British Empire, and Anglo-Jewish Women Writing the Holocaust (1998). She co-edited the volumes Antisemitism and Philosemitism in the Twentieth and Twenty-first Centuries: Representing Jews, Jewishness, and Modern Culture (2008) and Rumer Godden: International and Intermodern Storyteller (2010). Her most recent book is Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film (2017).
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