This book introduces two conceptual models of photography: the Turin Shroud and the universal Turing machine. The Turin Shroud inspires a discussion on photography’s frequently acclaimed ‘ontological privilege’, which has conditioned an understanding of photography as a sui generis breed of images wherein pictorial representation is coextensive with human vision. This is then contrasted with a discussion of the universal Turing machine, which integrates photography into a framework of media philosophy and algorithmic art. Here, photography becomes more than just the present-day sum of its depiction traditions, devices and dissemination networks. Rather, it is archetypical of multiple systems of abstraction and classification, and various other symbolic processes of transformation.
Tabela de Conteúdo
Introduction
1. The Nature of Photography
2. A Philosophy of Photography
3. Another Philosophy of Photography
4. The Landscapes of Code
5. Photography as Algorithmic Art
Conclusion
References
Index
Sobre o autor
Yanai Toister (Ph.D.) is an artist, curator and educator. Toister serves as associate professor and director of the Unit for History and Philosophy at Shenkar College of Engineering, Design and Art in Tel Aviv. Toister’s artworks have been shown in numerous solo and group exhibitions (including Sandroni.Rey, Los Angeles; Dvir Gallery, Tel Aviv; Kunstahalle Luzern, Switzerland; Bolsky Gallery, Otis College of Art and Design, Los Angeles; Maison Europèenne de la Photographie, Paris; the 11th International Architecture Exhibition at the Venice Biennale; Kunstmuseen Krefeld, Haus Lange, Krefeld, Germany; Israel Museum). Toister’s writing has been published in various catalogues and journals (including Digital Creativity; Flusser Studies; journal of Visual Art practice; Journal of Science and Technology of the Arts; Philosophy of Photography; Photographies). Toister’s book Photography from the Turin Shroud to the Turing Machine has been published by Intellect/University of Chicago Press.
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