Rachel Bryant Davies 
Troy, Carthage and the Victorians [EPUB ebook] 
The Drama of Classical Ruins in the Nineteenth-Century Imagination

‘Since 1975, French literary writing has been marked by an autobiographical turn which has seen authors increasingly often tap into the vein of what the French term ecriture de soi. This coincides, p …

The Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, b …

First published in 2002. This work examines eight Virginia novels against the background of the political and social concerns of the Jacksonian years in which they were written, arguing that the auth …

This Handbook brings together essays from an impressive group of well-established and emerging scholars from all around the world, to show the many different types of violence that have plagued Latin …

This is Volume IV of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes Part nine and includes works on internal colonialism and subaltern s …

Are Jane Austen and Charles Darwin the two great English empiricists of the nineteenth century? Peter W. Graham poses this question as he brings these two icons of nineteenth-century British culture …

A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the nov …

First published in 1971, this book explores the theme of the pastoral in literature and the way in which it adapts itself to various forms. It examines some of the ways in which it has manifested its …

Though much has been written about connections between early modern utopia and nascent European imperialism, the author brings a fresh perspective to the topic by exploring it through some of the sub …

‘The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as ”copies” of reality …