Mary Shelley reappraises the significance of Frankenstein alongside other works by Shelley which could be considered to revise the significance and fluctuating meanings of ‘Gothic’ during the Romantic period. It offers scholarly, fresh readings of the 1818 and 1831 editions of Frankenstein, as well as chapters upon the fiction that Shelley composed in between both editions, and during the same decade as its second edition.
In its broader examination of Mary Shelley’s work, this study is the first of its kind within the field of Gothic studies. Alongside sustained explorations of Frankenstein, Matilda, Valperga and The Last Man, the volume Mary Shelley reappraises some of the shorter essays and tales that the author composed for contemporary magazines. Angela Wright argues that the time is now right for a re-examination of the extent to which Shelley participated in and redirected the Gothic tradition.
Cuprins
Mary Shelley: A Chronology
Introduction
Chapter One: Frankenstein
Chapter Two: Matilda
Chapter Three: Valperga
Chapter Four: ‘On Ghosts’ and The Last Man
Chapter Five: ‘Terror, Horror and Transformation’
Conclusion
Illustrations
Henry Fuseli. ‘The Nightmare’
Engraving of ‘Juliet’ from The Keepsake for 1831
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