<P>Annie Finch’s Spells brings together her most memorable and striking poems written over forty years. Finch’s uniquely mysterious voice moves through the book, revealing insights on the classic themes of love, spirituality, death, nature, and the patterns of time. A feminist and pagan, Finch writes poems as ‘spells’ that bring readers to experience words not just in the mind, but in the body. Celebrated for her extraordinary love and knowledge of poetic craft, over the course of her career Finch has shaped her own innovative and radically traditional aesthetic. Her strange but familiar metrical language decenters the Self, creating a new, more open emotional relationship between ourselves, other people, and the world. Spells displays Finch’s virtuosity in a broad range of genres and forms, from lyrics, chants, and narrative poems to performance pieces, poetic drama, and verse translation. The book also includes a number of new and previously unpublished poems, notably her 1980s-era ‘Lost Poems, ‘ experimental work in meter that prefigures postmodern reclamations of poetic form. This wonderfully talented poet gives voice to the female and earth-centered spirituality of our era. Her emotionally eloquent and rhetorically powerful work will echo in the reader’s ear long after the book is closed. Check for the online reader’s companion at http://spells.site.wesleyan.edu.</P>
Cuprins
<P>Preface<BR>NEW POEMS<BR>A Blessing on the Poets<BR>Homebirth<BR>Abortion Spell<BR>Your Land<BR>Stone and Cloth and Paper<BR>The Naming<BR>Frost’s Grave<BR>Tarot: The Magician Card<BR>Keys<BR>Beach of Edges<BR>Earth Day<BR>Revelry<BR> Architecture<BR>POEMS, 2000 – 1990<BR>Watching the Whale<BR>Paravaledellentine: A Paradelle<BR>Wild Yeasts<BR>Earth Goddess and Sky God • Conversation<BR>Calendars<BR>Over Dark Arches<BR>A Carol for Carolyn<BR>Chain of Women<BR>Ghazal for a Poetess<BR>Meeting Mammoth Cave, Eight Months Pregnant<BR>Butterfly Lullaby<BR>Intimations of Pregnancy<BR>Walk with Me<BR>Two Bodies<BR>Final Autumn<BR>Elegy for My Father<BR>Poems for the Wheel of the Year<BR>Samhain<BR>Winter Solstice Chant • Imbolc Dance<BR>A Seed for Spring Equinox<BR>A Wreath for Beltane<BR>Summer Solstice Chant<BR>Lammas<BR>A Mabon Crown<BR>Letter for Emily Dickinson<BR>A Dance for the Inland Sea<BR>Iowa Barn<BR>Bluet<BR>Landing Under Water, I See Roots<BR>Changing Woman<BR>Spider Woman<BR>The Furious Sun in Her Mane • Aphrodite<BR>Eve<BR>Inanna • Coatlique<BR>Nut<BR>Brigid<BR>Rhiannon<BR>Running in Church<BR>Blood Charm: From the Menstrual Hut<BR>Encounter<BR>Gulf War and Child: A Curse<BR>Being a Constellation<BR>My Raptor<BR>The Wish for Eyes<BR>The Last Mermother<BR>Tribute<BR>The Intellect of Woman<BR>Moon<BR>POEMS, 1989 – 1980<BR>Courtship • Zaraf’s Star<BR> Goddess<BR>Pearl<BR>Interpenetrate<BR>Strangers<BR>Insect<BR>The Grim Garden<BR>Inside the Violet<BR>Blue Willow<BR>Speak Softly<BR>The Door<BR>No Snake <BR>A Small Sound in the Dark Woods • From the Lost Poems<BR>Such Husks<BR>Now in November<BR>Song of the Sorry Side<BR>Awful Friend<BR>Nightmare<BR>Resolution<BR>Another Pregnant Woman Remembers Incest<BR>Tongue of Language<BR>Dusk<BR>Lesson from a Rock<BR>Reconciliation Bread • Night Rain<BR>Fawns<BR>An Imaginary Companion<BR>The Ages’ Years: A Dialogue<BR>Harvest Seam<BR>Sundown<BR>Shallow Sky<BR>Childless<BR>Wrist-Bracelet<BR>Wine-Glass Woman<BR>Lady Bug<BR>A Wreath of Time<BR>She That<BR>From The Encyclopedia of Scotland<BR>Invocation<BR>One, from ‘Rockwood’ • The Body of the Thing, from ‘Feeding the Admiral’s Pussycat'<BR>POEMS, 1979 – 1970<BR>The August Porch<BR>Spells<BR>A Dusk Song<BR>In Cities, Be Alert<BR>List • Still Life<BR>Coy Mistress<BR>When Daphne Ran<BR>Lucid Waking<BR>Sapphics for Patience<BR>Another Reluctance • A Way to See<BR>First Poem<BR>Caribou Kitchen<BR>PERFORMANCE WORKS, 1983 – 2010 • ‘Creation Story, ‘ excerpted and adapted from Sheba in Eden<BR>From The Mermaid Tragedy<BR>From Marina Tsvetaeva: A Captive Spirit<BR>From Among the Goddesses: An Epic Libretto in Seven Dreams<BR>From Wolf Song • TRANSLATIONS, 1978 – 2010<BR>The Seafarer<BR>Louise Labé<BR>Sonnet 2 [Handsome Brown Eyes]<BR>Sonnet 5 [Bright Venus]<BR>Sonnet 13 [The Ivy and the Tree]<BR>Sonnet 4 [The Point of Death]<BR>Sonnet 16 [Impotence]<BR>Sonnet 18 [Kiss Me Again]<BR>Sonnet 19 [A Meeting with Diana]<BR>Sonnet 21 [Love Forces My Judgment] • Sonnet 23 [The Tangle]<BR>Anna Akhmatova<BR>The White Bird<BR>Cleopatra <BR>Lot’s Wife • Andrée Chedid<BR>Thirst<BR>In Praise of Emptiness<BR>A Fragment of Sappho<BR>Acknowledgments</P>
Despre autor
<P>ANNIE FINCH is a professor of English and director of the Stonecoast MFA Program at the University of Southern Maine. She is the author of five books of poetry, including Calendars.</P>