Christophe Levaux 
We Have Always Been Minimalist [EPUB ebook] 
The Construction and Triumph of a Musical Style

Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music’s style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled,
We Have Always Been Minimalist retraces the story of these battles that—from pure fiction to proven truth—led to the triumph of minimalism. Christophe Levaux’s critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history.

Cuprins

Acknowledgments

Introduction


1. 1960: Before Minimalism

2. Taking Root in Modernity: New Music

3. Transcribing Music: New York Avant-Gardists and Monotonality

4. 1967: Giants?

5. Creating Genres: The Theatre of Mixed Means and Dream Music 

6. Taking Sides over a New Medium: Electronic Music

7. The New York Hypnotic School: Founding a Movement

8. Untying the Bonds: Process Music

9. Transfiguring Experimental Music: Minimal Music

10. 1975: The Emergence of Minimalism 

11. Fighting or Laying Down Arms: Music with Roots in the Aether and Simplicity

12. Persevering: Systems

13. Giving Up Ground; Retaking It: Minimal Music 

14. Subscribing to an Idea: A New Current and Modern Music

15. Disrupting the Status Quo: American Minimal Music

16. Going beyond Modernity: Jameson and Lyotard

17. Opening the Borders: Popular Music

18. 1984: The Spread of Minimalism 

19. Confirming an Established Fact: Perspectives of New Music

20. Furthering the Fight: New Sounds

21. 1994: The Arrival of Minimalism

22. In Conquest of the Twenty-First Century


Epilogue

Notes 

References

Index

Despre autor

Christophe Levaux is a researcher at Liège University, Belgium. He is the editor of Boucle et Répétition and Over and Over: Exploring Repetition in Popular Music, and the author of Rage Against the Machine as well as numerous articles published in Tacet, Volume !, Revue et Corrigée, Organised Sound, and Rock Music Studies.