The themes of magic and the supernatural in medieval romance are here fully explored and put into the context of thinking at the time in this first full study of the subject.
The world of medieval romance is one in which magic and the supernatural are constantly present: in otherwordly encounters, in the strange adventures experienced by questing knights, in the experience of the uncanny, and in marvellous objects – rings, potions, amulets, and the celebrated green girdle in
Sir Gawain and the Green Knight. This study looks at a wide range of medieval English romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. The bookopens with a survey of classical and biblical precedents, and of medieval attitudes to magic; subsequent chapters explore the ways that romances both reflect contemporary attitudes and ideas, and imaginatively transform them. Inparticular, the author explores the distinction between the `white magic’ of healing and protection, and the more dangerous arts of `nigromancy’, black magic. Also addressed is the wider supernatural, including the ways that ideasassociated with human magic can be intensified and developed in depictions of otherworldly practitioners of magic. The ambiguous figures of the enchantress and the shapeshifter are a special focus, and the faery is contrasted with the Christian supernatural – miracles, ghosts, spirits, demons and incubi.
Professor CORINNE SAUNDERS Saunders teaches in the Department of English, University of Durham.
The world of medieval romance is one in which magic and the supernatural are constantly present: in otherwordly encounters, in the strange adventures experienced by questing knights, in the experience of the uncanny, and in marvellous objects – rings, potions, amulets, and the celebrated green girdle in
Sir Gawain and the Green Knight. This study looks at a wide range of medieval English romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. The bookopens with a survey of classical and biblical precedents, and of medieval attitudes to magic; subsequent chapters explore the ways that romances both reflect contemporary attitudes and ideas, and imaginatively transform them. Inparticular, the author explores the distinction between the `white magic’ of healing and protection, and the more dangerous arts of `nigromancy’, black magic. Also addressed is the wider supernatural, including the ways that ideasassociated with human magic can be intensified and developed in depictions of otherworldly practitioners of magic. The ambiguous figures of the enchantress and the shapeshifter are a special focus, and the faery is contrasted with the Christian supernatural – miracles, ghosts, spirits, demons and incubi.
Professor CORINNE SAUNDERS Saunders teaches in the Department of English, University of Durham.
€28.99
Cuprins
IntroductionClassical and Biblical Precedents
The Middle Ages: Prohibitions, Folk Practices and Learned Magic
White Magic: Natural Arts and Marvellous Technology
Black Magic: The Practice of ‘Nigromancy’
Otherworld Enchantments and Faery Realms
Christian Marvel and Demonic Intervention
Malory’s
Morte Darthur
Epilogue: Towards the Renaissance
Bibliography
Despre autor
Corinne Saunders is Professor of Medieval Literature at the Department of English Studies, University of Durham.Cumpărați această carte electronică și primiți încă 1 GRATUIT!
Limba Engleză ● Format PDF ● Pagini 312 ● ISBN 9781846158056 ● Mărime fișier 5.4 MB ● Editura Boydell & Brewer Ltd ● Oraș Woodbridge ● Țară GB ● Publicat 2010 ● Descărcabil 24 luni ● Valută EUR ● ID 8379805 ● Protecție împotriva copiilor Adobe DRM
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