Emma Hornby & David Maw 
Essays on the History of English Music in Honour of John Caldwell [PDF ebook] 
Sources, Style, Performance, Historiography

Introduction – Emma Hornby
Traces of Lost Late Medieval Offices? The
Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth [fl.1350] – Sally Harper
The saints venerated in medieval Peterborough as reflected in the antiphoner Cambridge, Magdalene College, F.4.10 – David Hiley
Interactions between Brittany and Christ Church, Canterbury in the tenth century: the Linenthal leaf – Emma Hornby
A new source of late seventeenth- and early eighteenth-century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others – H. Diack Johnstone
The earliest fifteenth-century transmission of English music to the continent – Margaret Bent
‘Phantasy mania’: Quest for a National Style –
Purcell’s 1694 Te Deum and Jubilate: its Successors, and its Performance History –
Imitative counterpoint in mid-fifteenth-century English Mass settings – Reinhard Strohm
Double cantus firmus compositions in the Eton Choirbook – Magnus Williamson
Englishness in a Kyrie [Mis]attributed to Du Fay – Peter Wright
Continuity, discontinuity, fragments and connections: the organ in church c.1500-1640 – John Harper
‘As the Sand on the Sea Shore’: Women Violinists in London’s Concert Life around 1900 – Simon Mc Veigh
The carol in Anglo-Saxon Canterbury –
Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 – Owen Rees
Music in Oxford, 1945-1960: The years of change – Susan Wollenberg
Three Anglican Church Historians on Liturgy and Psalmody in the Ancient Synagogue and the Early Church – John Arthur Smith
Histories of British Music and the Land Without Music: National Identity and the Idea of the Hero –
Epilogue: John Caldwell [1938- ]: Scholar, Composer, Teacher, Musician –