Morevolumes on ‘Deleuze and Artistic Research’:Aberrant Nuptials The Dark Precursor (Two-Volume Set)Exploring assemblage theory in relation to the arts and to artistic research The concept ofassemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coinedby Deleuze and Guattari in relation to different fields of knowledge, humanpractices, and nonhuman arrangements, assemblage is variously applied todayin the arts, philosophy, and human and social sciences, forming links not onlybetween disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on theconcept s uses, transpositions, and appropriations in the arts, bringingtogether the voices of artists and philosophers that have been working on andwith this topic for many years with those of emerging scholar-practitioners. Thevolume embraces exciting new and reconceived artistic practices that discussand challenge existing assemblages, propose new practices within givenassemblages, and seek to invent totally unprecedented assemblages. Contributors: Gareth Abrahams, Burcu Baykan, Ian Buchanan, Edward Campbell, Iain Campbell, Rogerio Luiz Costa, Annita Costa Malufe, Paul Dolan, Lilija Duobliene, Vanessa Farfan, Silvio Ferraz, Jose Gil, Barbara Glowczewski, Christoph Hubatschke, janjagodzinski, Niall Dermot Kennedy, George E. Lewis, Hsiu-ju Stacy Lo, Clara Maida, Thomas Nail, Tero Nauha, Alex Nowitz, Morgan O Hara, Yota Passia, Peter Pal Pelbart, Panagiotis Roupas, Anne Sauvagnargues, Niamh Schmidtke, Chris Stover, Ron Wigglesworth, Audrone Zukauskaite This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
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