After the breakout success of his early work for stage and screen, Jack Thorne turned for inspiration to his own family for a series of plays about hope, idealism, and domestic politics. The work in this collection – five full-length plays and two shorts – showcases his extraordinary ability to combine electrifying dialogue with heartfelt warmth, candour, and humour.
Hope (Royal Court Theatre, 2014) is a funny and scathing fable about the leaders of a local council faced with savage funding cuts. ‘A surprisingly entertaining state-of-the-nation drama’ – The Stage
The Solid Life of Sugar Water (Graeae/Theatre Royal Plymouth, 2015) is an intimate, tender play about loss, hurt, and rediscovery. ‘Startlingly good… an adult play in the very best sense’ – The Times
Junkyard (Headlong, 2017) is a joyful celebration of imaginative play, a musical drama about a group of young people tasked with building a playground out of junk. ‘Genuinely funny and poignant’ – Whats On Stage
the end of history… (Royal Court, 2019) is a moving and sophisticated portrait of the impact of political idealism on a family. ‘Clever and highly intriguing’ – Independent
Also included are Burying Your Brother in the Pavement, written for the National Theatre Connections Festival in 2008, which tackles complex themes of grief, violence, and sexuality with fierce compassion and wild imagination; and two short plays: Whiff Whaff and Boo.
‘I think these plays are about love, about heroes, about trying to understand how to be heroic, about trying to understand how to lead a good life’ – Jack Thorne, from his Introduction
‘Jack Thorne is Britain’s hottest playwright and screenwriter’ – The Times
‘Jack Thorne never ceases to stimulate and entertain’ – Evening Standard
‘Thorne is a writer of immense emotional intelligence and his dialogue regularly devastates’ – The Stage
Despre autor
Jack Thorne is a playwright and BAFTA-winning screenwriter.
His plays for the stage include: When Winston Went to War with the Wireless (Donmar Warehouse, 2023); The Motive and the Cue (National Theatre, 2023); After Life, an adaptation of a film by Hirokazu Kore-eda (National Theatre, 2021); the end of history… (Royal Court, London, 2019); an adaptation of Charles Dickens’ A Christmas Carol (Old Vic, London, 2017); an adaptation of Büchner’s Woyzeck (Old Vic, London, 2017); Junkyard (Headlong, Bristol Old Vic, Rose Theatre Kingston & Theatr Clwyd, 2017); Harry Potter and the Cursed Child (Palace Theatre, London, 2016); The Solid Life of Sugar Water (Graeae and Theatre Royal Plymouth, 2015); Hope (Royal Court, London, 2015); adaptations of Let the Right One In (National Theatre of Scotland at Dundee Rep, the Royal Court and the Apollo Theatre, London, 2013/14) and Stuart: A Life Backwards (Underbelly, Edinburgh and tour, 2013); Mydidae (Soho, 2012; Trafalgar Studios, 2013); an adaptation of Friedrich Dürrenmatt’s The Physicists (Donmar Warehouse, 2012); Bunny (Underbelly, Edinburgh, 2010; Soho, 2011); 2nd May 1997 (Bush, 2009); When You Cure Me (Bush, 2005; Radio 3’s Drama on Three, 2006); Fanny and Faggot (Pleasance, Edinburgh, 2004 and 2007; Finborough, 2007; English Theatre of Bruges, 2007; Trafalgar Studios, 2007); and Stacy (Tron, 2006; Arcola, 2007; Trafalgar Studios, 2007).
His television work includes His Dark Materials, Then Barbara Met Alan (with Genevieve Barr), The Eddy, Help, The Accident, Kiri, National Treasure and This is England ’86/’88/’90.
His films include The Swimmers (with Sally El Hosaini), Enola Holmes, Radioactive, The Aeronauts and Wonder.
He was the recipient of the Writers’ Guild of Great Britain Award for Outstanding Contribution to Writing in 2022.
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