Building on and bringing up to date the material presented in the first instalment of Directory of World Cinema: Japan, this volume continues the exploration of the enduring classics, cult favourites and contemporary blockbusters of Japanese cinema with new contributions from leading critics and film scholars. Among the additions to this volume are in-depth treatments of two previously unexplored genres – youth cinema and films depicting lower-class settings – considered alongside discussions of popular narrative forms, including J-Horror, samurai cinema, anime and the Japanese New Wave.
Accompanying the critical essays in this volume are more than 150 new film reviews, complemented by full-colour film stills, and significantly expanded references for further study. From the Golden Age to the film festival favourites of today, Directory of World Cinema: Japan 2 completes this comprehensive treatment of a consistently fascinating national cinema.
Cuprins
Film of the Year
Sawako Decides
Festival Focus
JAPAN CUTS
Industry Spotlight
Interview with John Williams
Cultural Crossover
Japanese Cinema and Bunraku Puppetry
Japanese Cinema and Photography
Scoring Cinema
Kikujiro
Stardom and Cinema
Kinuyo Tanaka
Directors
Kiyoshi Kurosawa
Tetsuya Nakashima
Naoko Ogigami
Hiroshi Shimizu
Shuji Terayama
Alternative Japan
Anime / Animation
Chambara / Samurai Cinema
Contemporary Blockbusters
J-Horror / Japanese Horror
Jidai-geki / Period Drama
Nuberu bagu/ The Japanese New Wave
Seishun eiga / Japanese Youth Cinema
Shomin-geki / Lower Class Life
Yakuza / Gangster
Despre autor
John Berra is a lecturer in Film and Language Studies at Renmin University of China. He is the author of Declarations of Independence: American Cinema and the Partiality of Independent Production (2008); editor of the Directory of World Cinema: American Independent volumes 1, 2 and 3; editor of the Directory of World Cinema:Japan volumes 1, 2 and 3; co-editor of World Film Locations: Beijing (2012) and World Film Locations: Shanghai (2014); and co-editor of the East Asian Journal of Popular Culture. He has also contributed to Electric Shadows: A Century of Chinese Cinema (2014).
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