New Zealand art historian John Stringer examines the phenomenon of the mass Tintin pastiches and parodies since 1983 when Hergé died and the adventures ceased with the incomplete Tintin and Alph-Art. Honouring the canon and legacy of Hergé, Stringer draws on hundreds of independent works in different languages to comment on the enduring pastiche phenomenon of Europe’s greatest comic (200 million copies, 70 languages).
Cuprins
Contents
1. The Hergé Canon 6
2. The Tintin Universe 7
3. Ligne Claire 18
4. Alph-Art 23
5. “Billions of Bilious Blue Blistering Barnacles.” 25
6. Collated Adventures, Extended Series 27
7. Filling Out Tintin’s Passport 30
Adventures at Home (Marlinspike) 30
Adventures in Sexuality 31
Adventures in the Paranormal, Technology and Science Fiction 31
Adventures in Hollywood, Literature and Other Comics 32
Adventures in the Future 32
8. Edgar P. Jacobs and Blake & Mortimer 34
9. Copyright Conundrums and Controversies 36
10. Pastiche Artists and “Publishers” 43
Yves Rodier
Yve Chaland
Garen Ewing
Ramon Nash, Frederic Tuten, J. Daniels
Conlan, Sakharine
Spitting Image, MAD, Wired and National Lampoon
Harry Edwood (Woodman), Johan Koeleman Jr
Didier Savard, Jan Bucquoy
The ‘Publishers’
11. The 111 ‘Lost’ Tintins. Vol. 1 50
12. Selected Critique 51
PLATES 1-111: Pastiche covers and artwork 55-173
13. Index of the 111 Covers, Vol. 1 174-177
Despre autor
New Zealand art historian -himself a published author and syndicated cartoonist (America, NZ and Australia) writes widely on a variety of historical and art historical subjects.
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