‘Mantegna’ by D’Anvers is a biography of Andrea Mantegna (1431-1506). He was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. Excerpt: ‘ Born at a time of exceptional intellectual and æsthetic activity, when Italian humanism was nearing its fullest development, and the art of painting, after a protracted struggle with mechanical difficulties, had at last obtained an almost complete mastery over its media, with a real grasp of the long-neglected science of perspective, Andrea Mantegna may justly be said to have been a true representative of the early Renaissance in Italy, an[Pg 10] earnest combatant in the arduous struggle for liberty of thought and expression in which so many of his gifted fellow-countrymen were engaged.’
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