Patrizia Pallaro’s second volume of essays on Authentic Movement, eight years after her first, is a tour de force. It is indeed ‘an extraordinary array of papers’, as Pallaro puts it, and an immensely rich, moving and highly readable sweep through the landscapes of Authentic Movement, ‘this form of creative expression, meditative discipline and/or psychotherapeutic endeavour’. You don’t need to practice Authentic Movement to get a lot out of this book, but it certainly helps! I defy anyone to read the first two sections and not be curious to have their own experience.’
– Sesame Institute
‘Authentic Movement can be seen as a means by which analysts can become more sensitive to unconscious, especially pre-verbal aspects of themselves and their patients.’
– Body Psychotherapy Journal Newsletter
‘This book is a collection of articles, some of which are interviews, brought together for the first time. It is very valuable to have them all together in one place…It is a wonderful collection of articles on topics you have always wanted to read, such as the role of transference in dance therapy or Jung and dance therapy. The book also includes scripts for exercises.’
– Somatics
Authentic Movement, an exploration of the unconscious through movement, was largely defined by the work of Mary Starks Whitehouse, Janet Adler and Joan Chodorow. The basic concepts of Authentic Movement are expressed for the first time in one volume through interviews and conversations with these important figures, and their key papers. They emphasize the importance of movement as a means of communication, particularly unconscious or ‘authentic’ movement, emerging when the individual has a deep, self-sensing awareness – an attitude of ‘inner listening’. Such movement can trigger powerful images, feelings and kinesthetic sensations arising from the depths of our stored childhood memories or connecting our inner selves to the transcendent.
In exploring Authentic Movement these questions are asked:
– How does authentic movement differ from other forms of dance and movement therapy?
– How may ‘authentic’ movement be experienced?
Cuprins
Introduction, Patrizia Pallaro. Part I: Mary Starks Whitehouse. 1. An Approach to the Center: An Interview with Mary Whitehouse, Gilda Frantz. 2. Conversation with Mary Whitehouse. Frieda Sherman. 3. Creative Expression in Physical Movement is Language without Words. Mary Starks Whitehouse. 4. The Tao of the Body. Mary Starks Whitehouse. 5. Physical Movement and Personality. Mary Starks Whitehouse. 6. Reflections on a Metamorphosis. Mary Starks Whitehouse. 7. The Transference and Dance Therapy. Mary Starks Whitehouse. 8. C.G.Jung and Dance Therapy: Two Major Principles. Mary Starks Whitehouse. Part II: Janet Adler. 9. An Interview with Janet Adler. Neala Haze and Tina Stromsted. 10. Integrity of Body and Psyche: Some Notes on Work in Progress. Janet Adler. 11. Authentic Movement and Sexuality in the Therapeutic Experience. Janet Adler. 12.Who is the Witness? A Description of Authentic Movement. Janet Adler. 13. Body and Soul. Janet Adler. 14. The Collective Body. Janet Adler. Part III: Joan Chodorow. 15. An Interview with Joan Chodorow. Nancy Zenoff. 16. Philosophy and Methods of Individual Work. Joan Chodorow. 17. Dance Therapy and the Transcendent Function. Joan Chodorow. 18. Dance/Movement and Body Experience in Analysis. Joan Chodorow. 19. To Move and be Moved. Joan Chodorow. 20. The Body as Symbol: Dance/Movement in Analysis. Joan Chodorow. 21. Active Imagination. Joan Chodorow. Index.
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