Poljakov Fedor B. Poljakov & Fleishman Lazar Fleishman 
Across Borders: Essays in 20th Century Russian Literature and Russian-Jewish Cultural Contacts. In Honor of Vladimir Khazan [PDF ebook] 

This book deals with all aspects of the Merlin legend, from its origins to its expression in medieval and modern literature, film, and popular culture. Following an extended introduction and a full b …

‘The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as ”copies” of reality …

Édouard Glissant was a leading voice in debates centering on the postcolonial condition and on the present and future of globalisation. Prolific as both a theorist and a literary author, Glissant sta …

This book offers the first comprehensive evaluation of ethics in the ancient Greek novel, demonstrating how their representation of the cardinal virtue sophrosune positions these texts in their liter …

This volume reflects on the ghostly and its varied manifestations including the uncanny, the revenant, the echo, and other forms of artistic allusion. These unsettling presences of the spectral …

"The fatal glove" is a literary criticism and thrilling book written by Clara August. The book describes the story in a captivating way which follows the journey of Constance Danforth, a yo …

First published in 1962. This volume gives as complete an account as possible of the Shakespearian experience, particularly in terms of one play, King Lear, but in general against the context of all …

First Published in 2005. Whitman”s Ecstatic Union rereads the first three editions of Leaves of Grass within the context of a nineteenth-century antebellum evangelical culture of conversion. Though …

First Published in 2005. While many previous books on Pynchon allude to his fictional engagement with historical events and figures, this book explores Pynchon as a historical novelist and, by extens …

This book was written to venture beyond interpretations of Cormac Mc Carthy”s characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often …