The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.
The essays in this volume continue the Journal’s tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a ‘wordweaver’ in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the
Nibelungenlied and the
Völsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art.
Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas
Cuprins
Preface
Old Rags, New Responses: Medieval Dress and Textiles – Gale R. Owen-Crocker
Text/Textile: ‘Wordweaving’ in the Literatures of Anglo-Saxon England – Maren Clegg Hyer
Unfolding Identities: The Intertextual Roles of Clothing in the
Nibelungenlied and
Völsunga Saga – Elizabeth M. Swedo
Clothing and Textiles at the Court of King John of England, 1199-1216 – Hugh M Thomas
Dressing the Sacred: Medallion Silks and their Use in Western Medieval Europe – Tina Anderlini
Habit Envy: Extra-Religious Groups, Attire, and the Search for Legitimation Outside the Institutionalized Religious Orders – Alejandra Concha Sahli
The Loom, the Lady and her Family Chapels: Weaving Identity in Late Medieval Art – Joanne W. Anderson
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Despre autor
Maren Clegg Hyer is Assistant Professor of English, Snow College.
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