The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.
The essays in this volume continue the Journal’s tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a ‘wordweaver’ in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the
Nibelungenlied and the
Völsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art.
Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas
Cuprins
Preface
Old Rags, New Responses: Medieval Dress and Textiles – Gale R. Owen-Crocker
Text/Textile: ‘Wordweaving’ in the Literatures of Anglo-Saxon England – Maren Clegg Hyer
Unfolding Identities: The Intertextual Roles of Clothing in the
Nibelungenlied and
Völsunga Saga – Elizabeth M. Swedo
Clothing and Textiles at the Court of King John of England, 1199-1216 – Hugh M Thomas
Dressing the Sacred: Medallion Silks and their Use in Western Medieval Europe – Tina Anderlini
Habit Envy: Extra-Religious Groups, Attire, and the Search for Legitimation Outside the Institutionalized Religious Orders – Alejandra Concha Sahli
The Loom, the Lady and her Family Chapels: Weaving Identity in Late Medieval Art – Joanne W. Anderson
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Despre autor
MAREN CLEGG HYER teaches at Snow College in Ephraim, Utah. She specializes in researching textiles and other elements of material culture in the literary imagery of early medieval England.
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