This anthology presents substantial selections from the work of twenty Manchu women poets of the eighteenth and nineteenth centuries. The poems, inspired by their daily life and reflections, provide fascinating insights into the experiences and emotions of these women, most of whom belonged to the elite families of Manchu society. Each selection is accompanied by biographical material that illuminates the life stories of the poets. The volume’s introduction describes the printing history of the collections from which these poems are drawn, the authors’ practice of poetry writing, ethnic and gender issues, and comparisons with the poetry of women in South China and of male authors of the Qing dynasty (1644–1911).
Cuprins
Introduction
1. The Women of the Nalan Family: Miss Nalan, Sibo, and Madam Zhaojia
2. A Prisoner’s Mother and Wife: The Mistress of the Study for Nurturing Simplicity and the Mistress of the Orchid Pavilion
3. Chastity and Suicide: Xiguang
4. Mourning Royalty: Lady Zhoujia, Lady Tongjia, and Lady Fucha
5. Sacrifice and Friendship: Bingyue
6. A Tomboy in a Silly Dress: Mengyue
7. Unbridled Energy: Yingchuan
8. Releasing Butterflies: Wanyan Jinchi
9. Seeking Refuge in Truth: Guizhen Daoren
10. Traveling throughout the Empire: Baibao Youlan
11. A Proud Descendant of Chinggis Khan: Naxun Lanbao
12. From Hengyang to Beijing: Lingwen Zhuyou
13. The Modest Pursuit of a Minor Way: Duomin Huiru
14. A Poet from the Homeland: Lady Husihali
Abbreviations
Notes
Glossary of Chinese Characters
Bibliography
Index
Despre autor
Wilt L. Idema is professor emeritus of Chinese literature at Harvard University. He is the author of Chinese Vernacular Fiction: The Formative Period (Brill, 1974); coauthor of The Red Brush: Writing Women of Imperial China (Harvard East Asia Center, 2004); and translator of Two Centuries of Manchu Women Poets: An Anthology (University of Washington Press, 2017) and other works of traditional Chinese literature.