Selected Poems of Yone Noguchi (1921) is a collection of poems by Yone Noguchi. Although he is widely recognizing as a leading poet in English and Japanese of the modernist period, Noguchi was also a dedicated literary critic who advocated for the cross-pollination of national poetries. Alongside a brilliant introduction, in which he addresses the collective power of world literature, he provides a selection of his best poems from a quarter century of work.
”The time is coming when, as with international politics where the understanding of the East with the West is already an unmistakable fact, the poetries of these two different worlds will approach of one another and exchange their cordial greetings.” A firm believer in plainspoken language and a practitioner of free verse, Noguchi envisioned his art as a humble contribution to the union of East and West. In his early poems written in California, he reflects on loneliness and the natural world while reveling in the extended lines and celebratory phrases made popular by Whitman. In his third collection, From the Eastern Sea (1903) he settles into a more reserved prosody, characterized by stillness and vibrant imagery. Included in this collection are his prose poems and a series of Japanese Hokkus, whose minimalism and spiritual clarity continue to captivate readers and poets of all languages and nations. “Is there anything new under the sun? / Certainly there is. / See how a bird flies, how flowers smile!” These poems not only teach us to look, but to see the world anew.
This edition of Yone Noguchi’s Selected Poems of Yone Noguchi is a classic of Japanese American literature reimagined for modern readers.
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Yone Noguchi (1875-1947) was a Japanese poet, novelist, and critic who wrote in both English and Japanese. Born in Tsushima, he studied the works of Thomas Carlyle and Herbert Spencer at Keio University in Tokyo, where he also practiced Zen and wrote haiku. In 1893, he moved to San Francisco and began working at a newspaper established by Japanese exiles. Under the tutelage of Joaquin Miller, an Oakland-based writer and outdoorsman, Noguchi came into his own as a poet. He published two collections in 1897 before moving to New York via Chicago. In 1901, he published The American Diary of a Japanese Girl, his debut novel. Noguchi soon tired of America, however, and sailed to England where he published a third book of poems and made connections with such writers as William Butler Yeats and Thomas Hardy. Reinvigorated and determined to continue his career, he returned to New York in 1903, but left for Japan the following year following the end of his marriage to journalist and educator Léonie Gilmour, with whom he had a son. As the Russo-Japanese War brought his nation onto the world stage, Noguchi became known as a literary critic for the Japan Times and focused on advising such Western playwrights as Yeats to study the classical Noh drama. He spent the second decade of the century as a prominent international lecturer, mainly in Europe and Britain. In 1920, Noguchi published Japanese Hokkus, a collection of short poems, before turning his attention to Japanese-language verse. As Japan moved closer toward war with the West, Noguchi turned from leftist politics to the nationalism supported by his country’s leaders, straining his relationship with Bengali poet Rabindranath Tagore and distancing himself from his former colleagues around the world. In 1945, his home in Tokyo was destroyed in the devastating American firebombing of the city; he died only two years later, having reconnected with his son Isamu.
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