Mediations of Disruption in Post-Conflict Cinema is a transdisciplinary volume that addresses the cinematic mediation of a wide range of conflicts. From World War II and its aftermath to the exploration of colonial and post-colonial experiences and more recent forms of terrorism, it debates the possibilities, constraints and efficacy of the discursive practices this mediation entails. Despite its variety and amplitude in scope and width, the innovative and singular aspect of the book lies in the fact that the essays give voice to a variety of regions, issues, and filmmaking processes that tend either to remain on the outskirts of the publishing world and/or to be granted only partial visibility in volumes of regional cinema.
Об авторе
Adriana Martins teaches Culture & Globalization, Portuguese Film and Portuguese Culture at Universidade Católica Portuguesa. Film Studies and Culture Studies are among her research interests. Her latest book is
Plots of War: Modern Narratives of Conflict (co-edited with I. C. Gil, 2012).
Alexandra Lopes teaches Theories of Culture, Translation History and Theory at Universidade Católica Portuguesa. Her research interests are literary translation, translation history and culture studies. She has published on culture and translation studies, as well as translations of works by Peter Handke, Hertha Müller, William Boyd, Salman Rushdie.
Mónica Dias currently works in the field of Democracy Studies, Peace Studies and International Conflict at . Her recent book is
Gender Violence in Armed Conflict (co-edited with Carla Gomes and Francisco Leandro, 2013).
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