Pathbreaking examination of the prominent 19th-c. motif with an eye toward literature as social commentary.
The wanderer is an indispensable part of the German cultural imaginary. The nineteenth-century prominence of the motif owes much to the self-conception of the intellectual pioneers of the day as wanderers. The motif is also a keyto interpretation of the social and cultural phenomena of a turbulent century that began with the emancipatory claims of the Enlightenment and ended in untrammeled industrialism. Writers from Goethe to Büchner, Fontane to Holtei were keenly aware of the motif’s interpretive value, attempting to grasp with it not only such developments as mass migration and disappearing institutions but also unprecedented opportunities for artistic and scientific innovation. This book re-interprets canonical works such as Goethe’s
Wilhelm Meister novels, Heine’s
Harzreise, and Büchner’s
Lenz, examines underresearched works by Fontane and Raabe, and charts new territory with readings of works by Gotthelf and Holtei — a selection of texts that reveals the vast scope and changing function of the wanderer motif. Andrew Cusack pays scrupulous attention to the historical specificity of each work and to its relationship to contemporary aesthetic and philosophical currents, revealing the wanderer motif to be a significant vehicle of cultural memory that sustained the ideas of the Enlightenment and of Romanticism.
Andrew Cusack is a Lecturer in the Department of Germanic Studies at Trinity College Dublin.
Содержание
Introduction
The Wanderer as the Subject of Education
The Wanderer in the Romantic Imagination
The Wanderer in Political Discourse
Wandering at the Margins: Journeymen and Vagabonds
Conclusion
Works Cited
Index
Об авторе
ANDREW CUSACK is Senior Lecturer in German at the University of St Andrews. He worked previously as an Assistant Professor in Dublin before taking a postdoctoral fellowship of the Alexander von Humboldt Foundation at the Humboldt-Universität zu Berlin. In 2012, he joined the University of St Andrews. He is the author of The Wanderer in Nineteenth-Century German Literature: Intellectual History and Cultural Criticism (2008). Together with Barry Murnane he co-edited the volume Popular Revenants: The German Gothic and Its International Reception, 1800-2000 (2012) and has recently co-edited (with Michael White) a volume entitled Der Fontane-Ton: Stil im Werk Theodor Fontanes (2021). He has published widely on a range of topics in the ‘long nineteenth century’ including articles on Büchner, Fontane, Heine, Mörike, Schiller, and on Karl Philipp Moritz. His second monograph: Johannes Scherr: Mediating Culture in the German Nineteenth Century was published by Camden House in 2021.
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