Helen Kara & Dawn Mannay 
The Handbook of Creative Data Analysis [EPUB ebook] 

1. Introduction — Dawn Mannay, Alastair Roy, and Helen Kara

Section 1: Creative Analysis of Quantitative Data

2. Five Survive Lockdown: Re-Visualising Survey Data as a Graphic Novella — Kate Carruthers Thomas

3. Visually Mapping the Interplay between Pandemic Interest Groups and ‘the Vulnerable’ in Newspaper Accounts, 2018–2022 — Stuart Neilson and Neil Kenny

4. Using Discourse Analysis to Inform Content Analysis: A Pragmatic, Mixed Methods Approach Exploring How the Headteacher Role is Articulated in Job Descriptions — Alexandra Morgan, Andrew James Davies, and Emmajane Milton

5. Word Clouds as Creative Data Analysis – What Can They Tell Us About Student Views of Learning Something New? — Louise Gascoine, Kate Wall, And Steve Higgins

Section 2: Creative Embodied Analysis

6. Analysing Creative Multimodal Data for a Scientific Audience — Jennifer S. Leigh, Jennifer R. Hiscock, Sarah Koops, Anna J. Mcconnell, Cally J.E. Haynes, Claudia Caltagirone, Marion Kieffer, Emily R. Draper, Anna G. Slater, Kristin M. Hutchins, Davita Watkins, Nathalie Busschaert, and Larissa K.S. Von Krbek

7. Object-Work as a Creative Approach to Data Analysis in Embodied Inquiry — Nicole Brown

8. A Composite Approach to Analysis for Embodied Methodology — Rachel Kurtz and Laura Mazzoli-Smith

Part 3: Creative Performative Analysis

9. Rewriting in Role: Inviting Readers through Imagination — Claire Coleman

10. A Mosaic of Siblings of Cystic Fibrosis: A Creative Dramaturgical Analysis — Amie Hodges

11. Theatrical Research-Based Performance: An Analytic Method Using Theatre in an Educational Context — David Duncan

Section 4: Creative Visual Analysis

12. Co-Creation of a Sensory Assemblage as Data Analysis — Melanie Roberts and Anne Collis

13. Creating Artworks From Data — Charlotte Barratt

14. Using Emoji As a Creative Tool for Data Analysis — Anuja Cabraal and Lauren Gawne

Section 5: Creative Written Analysis

15. I Poems and Polyvocality: Experiences of Using a Combined Qualitative Creative Analysis Technique to Strengthen the Voices of Research Participants and Aid Reflexivity — Jacqueline Dodding and Hazel Partington

16. Composite Narratives, Developing Characters: A Method of Creative Data Analysis in Developing Public Engagement Artefacts — Lauren White, Adam Carter, and Katherine Davies

17. Beyond the Brick Wall: Transdisciplinary and Creative Research through Scholarly Personal Narrative and Lilyology — Dawn Wink

Section 6: Creative Arts-Based Analysis

18. Slow Stitch: Reflexive Creative Analysis and Meaning Making — Naomi Clarke

19. The Analogue Journey Method — Karen Gray and Emma Lazenby

20. Using Creative Mapping Methods to Analyse Multimodal Data — Erin Roberts, Merryn Thomas, Karen Henwood, and Nick Pidgeon

Section 7: Existing Methods Adapted in Creative Ways

21. Embracing Creativity in Familiarisation — Louise Couceiro

22. How to Be Creative When Creativity is Policed — Shehr Bano Zaidi

23. Visual Grounded Theory: A New Way of Seeing, Knowing, and Constructing Theories Grounded in Data — Jacquie Ridge

24. But is it Professional? Pairing Creative Practice and Thematic Analysis to Illustrate Organisational Culture — Kyla Tully

Section 8: Analysis with Participants

25. Using Patient and Public Involvement and Engagement and Co-production to Enrich the Analysis, Interpretation, and Utilisation of Sexual Health Research — Mar Estupiñán Fdez. De Mesa, Melvina Woode Owusu, Makeda Gerressu, Gwenda Hughes, and Catherine H. Mercer

26. Creative Collaborative Data Analysis: Co-Constructing and Co-Analysing the Data Together — Jessica Mannion and the R&S (Relationships and Sexuality) Research Team

27. Perspective Narrative Analysis: Analysing Data Creatively within a Participatory Research Group — Chloe East, Feydakeen Smith, Iris, Zaynab Charafi, Zoe Fordham, Annie Champion, and Carys Jones

Part 9: Pushing The Boundaries

28. Analysing the Unspoken: Finding the Richness Created in Dialogue with People who Cannot Speak — Katherine Broomfield

29. Speculative A/R/Tography — Kathryn Coleman, Sarah Healy, Abbey Macdonald, and Peter J. Cook

30. Between Two Worlds: A Shared (Shamanic) Journey of Creative Qualitative Data Analysis and Researcher Identity — Karen Hammond and Nick Fuller

31. Conclusion — Alastair Roy, Dawn Mannay, and Helen Kara

Alistair Roy is Professor of Social Research at the University of Central Lancashire. .