Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In Moby-Dick he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts assume center stage, but also aspired to comment on every imaginable mode of biblical interpretation, calling for a radical reconsideration of the politics of biblical reception. In Melville’s Bibles,...
Содержание
List of Illustrations
Acknowledgments
Introduction
1. Playing with Leviathan: Job and the Aesthetic Turn in Biblical Exegesis
2. ‘Jonah Historically Regarded’: Improvisat...
Об авторе
Ilana Pardes is Professor of Comparative Literature at the Hebrew University, Jerusalem. She is the author of Countertraditions in the Bible: A Feminist Approach and The B...