Director Ingmar Bergman occupies a central place in the history of modern cinema. Credited with igniting a cinematic revolution, his ability to produce work which resonated with audiences globally has brought scholarly attention to the impact of Bergman’s Swedish background on his oeuvre. Ingmar Bergman Out of Focus revises this question of Bergman’s “familiarity” to produce a more expansive understanding of Bergman’s cultural heritage. Considering the impact of Bergman’s films on film festival organizers, critics, academics, and audiences all over the world, this volume illuminates how Bergman’s film aesthetics simultaneously shaped modern culture and were themselves reshaped by the debates and concerns that preoccupied his viewers.
Содержание
List of Tables
Acknowledgments
Foreword
Jan Holmberg (CEO of the Ingmar Bergman Foundation)
Introduction
Fernando Ramos Arenas, Jono Van Belle, and María Paz Peirano
Chapter 1. Off the Beaten Track: Birgitta Steene’s Pioneering Reception Research on Ingmar Bergman
Jono van Belle
Chapter. Reception of Ingmar Bergman and the Concept of ‘Art Cinema’ in Chile and Argentina (1950s–1960s)
Alejandro Kelly-Hopfenblatt & María Paz Peirano
Chapter 3. Did Uruguay Discover Bergman? The Early reception of Swedish Cinema and the Trails of a Shared Modern Feeling
Mariana Amieva
Chapter 4. The Making and Unmaking of Ingmar Bergman, Religious Filmmaker. Arthouse and Catholicism in Spain (1960–63)
Fernando Ramos Arenas
Chapter 5. The Castaway of the Post-Thaw Tide: The 1959/1960 ‘Bergman Season’ in the People’s Republic of Poland
Konrad Klejsa
Chapter 6. Discussed, Demonised, Disputed: The Film Critic as Gatekeeper on the Path towards Bergman’s Canonisation in Italy
Giulio Tosi
Chapter 7. We Live in the Same World: Fan Mail to Ingmar Bergman
Eirik Frisvold Hanssen
Chapter 8. Accessing Ingmar Bergman in Twenty-First Century India: Film Festivals, Societies and Filmmakers as Reception Pathways
Ashvin Immanuel Devasundaram
Conclusion
Fernando Ramos Arenas, Jono Van Belle, and María Paz Peirano
List of Film Titles
Index
Об авторе
María Paz Peirano is an Assistant Professor in Film and Cultural Studies at the University of Chile, focusing on Chilean cinema and the development of local film cultures. Currently a Marie Skłodowska-Curie Postdoctoral Fellow at the University of Antwerp, she was the lead researcher of “Film Festivals, Educative Experiences and the Expansion of the Chilean Field” and “Chilean Film Audiences: Film Culture, Cinephilia, and Education”. Her recent publications include the co-edited volume, La vieja escuela: El rol del Cine Arte Normandie en la formación de audiences (1982-2001) (Pehoe Editions, 2020) and Film Festivals and Anthropology (Cambridge Scholars Publishing, 2017).
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