Kaeti and her companions inhabit a strange world; a ‘theatre of the mind’ where the unexpected is commonplace, where ghosts, vampires and even the odd goddess may be encountered at any turn. It is a tribute to the author’s skill that Kaeti’s world seems, at all times, as real as our own, sometimes uncomfortably so. Whether satirising the mores of the Thames Valley or exposing the curious antics of the publishing world, Roberts is equally at home. He explores the gamut of human emotions; high comedy alternates with terror, the most delicate of love scenes are set against the iron dreariness of Death Row. Always though, at the focus, is Kaeti; witty and resourceful, resilient and vulnerable by turns. Some characters may change their roles with lightning speed, like the players i n a repertory company — but Kaeti remains. As does London. Robert always displays a knowledge of a city haunted by its own past, and a love for its highways and byways, that will surprise old fans and win him many new admirers.
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