At the heart of The Republic of Love are the voices of three musicians-queer nightclub star Zeki Muren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu-who collectively have dominated mass media in Turkey since the early 1950s. Their fame and ubiquity have made them national icons-but, Martin Stokes here contends, they do not represent the official version of Turkish identity propagated by anthems or flags; instead they evoke a much more intimate and ambivalent conception of Turkishness.Using these three singers as a lens, Stokes examines Turkey s repressive politics and civil violence as well as its uncommonly vibrant public life in which music, art, literature, sports, and journalism have flourished. However, Stokes s primary concern is how Muren, Gencebay, and Aksu s music and careers can be understood in light of theories of cultural intimacy. In particular, he considers their contributions to the development of a Turkish concept of love, analyzing the ways these singers explore the private matters of intimacy, affection, and sentiment on the public stage.
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