Committing theology to poetry is not new, but it’s not wildly common. The Sunrise Liturgy aims to do just that. It is a sequence, like liturgy, with a start and a procession and a finish. The sun does the processing, and the play on sun and Son is never far from sight. Sunrise gives the cantus firmus to this theological theme and variations, where the going is by turns easy, by turns thickly polyphonic—take a deep breath! The cantus firmus shifts from voice to voice, disappearing, towards year’s end, beyond the audible range of human mortals. But there are other mortals in this procession of the year, ‘acolytes of the Holy Impotence, ‘ and under and beside and through it all flows the St. Lawrence River, le fleuve, winding across the page, a tidal presence at once natural and mystical. As are the snow geese. As is the heron. There is an attempt to wrestle with a credible theodicy, especially environmental. There is a profound penchant for the eremitic, with nods to The Cloud of Unknowing and Gregory of Nyssa. And always there is the priestly sense of ‘performance, ‘ enactment, and Eucharist, for this is a priest speaking.
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Mia Anderson is author of six books of poetry, including The Sunrise Liturgy (2012) and Light Takes (2014), which contains the 2013 Montreal International Poetry Prize-winning poem ‘The Antenna.’ A retired theatre actor, Anglican priest, and shepherd, she’s also a committed organic grower—and still married.
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