This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of ‘Japanese culture’. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
Содержание
Introduction
1 Postmodern critiques, Japan’s economic miracle, and the new aesthetic milieu
2 The 1968 social uprising and subversive advertising design in Japan: the work of Ishioka Eiko and Suzuki Hachiro
3 From cute to Rei Kawakaubo: fashion and protest
4 Mujirushi Ryohin and the absence of style
5 Hironen and the representation of the other
6 Digital design as social and critical design in the twenty-first century
Index
Об авторе
Ory Bartal is Head of the Department of Visual and Material Culture at Bezalel Academy of Arts and Design, Jerusalem
Больше книг от того же автора (ов) / редактор
1 520 Электронные книги в этой категории
