Schenkel Elmar Schenkel & Fleischhack Maria Fleischhack 
Ghosts — or the (Nearly) Invisible [EPUB ebook] 
Spectral Phenomena in Literature and the Media

Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernism In the British Museum, one object attracts more tourists than any other: the Rosetta Stone. …

For nearly a century, members of the Dildilian family practiced the art of photography in Ottoman Turkey, Greece and the United States. This book contains over 300 photographs, most taken during the …

BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-hous …

Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the autho …

The digital video revolution has blurred the lines between professional and amateur equipment, with some Hollywood movies being shot and edited using the same technology that families use for their v …

Suspicious of what he called the spectator»s “sticky” adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audie …

What patterns emerge in media coverage and character depiction of Southern men and women, blacks and whites, in the years between 1954 and 1976? How do portrayals of the region and the equal rights m …

In this groundbreaking exploration of in-flight cinema, Stephen Groening traces the history of this transnational cinematic practice. At once a history of exhibition and an inquiry into changing form …

Modern Times was Charlie Chaplin»s last full-length silent film. The author situates »Modern Times» within the context of Chaplin»s life work, exploring its history and influences. She explores h …

New Vampire Cinema lifts the coffin lid on forty contemporary vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vi …