‘I moved to a country called writing’ declares Tim Tim Cheng in this striking debut collection. The Tattoo Collector explores family history, displacement, politics, protest, and, as it moves between East and West, the uses of language to illustrate and interrogate what lies in between. As these poems range from Hong Kong, Scotland, and London, they unravel the relationship between the body, ecology and class with precise and haunting tenderness.
Here, in Cheng’s illuminating and needle-sharp poems, the tattoo is a narrative, the body a radical means of expression. In states of flux, between resisting and belonging, we enter museums, hospitals, graveyards, and gigs. These intimate and polyphonic poems invite us to be troubled and enthralled by exhibits and the stories they have to tell, to look inside the glass box and study what is on display. Close-up, the poems bring into the daylight details that can be seen skin-deep on the surface, as well as those which point to another meaning, inked indelibly, beneath.
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Tim Tim Cheng is a poet from Hong Kong, currently based between Glasgow and London. Her pamphlet Tapping At Glass (Verve, 2023) was one of Poetry Society’s Books of the Year. Her poems are published or anthologised in POETRY, The Rialto, Poetry London, Our Time Is A Garden, and elsewhere. She appeared in St Anza Festival, Hidden Door festival, Singapore Writers Festival, and BBC Scotland. She is a Wr ICE fellow (awarded by RMIT University), an Ignite fellow (Scottish Book Trust), a member of Southbank Centre’s New Poets Collective 2022/23, and a mentee under the Roddy Lumsden Memorial Mentorship scheme.
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