Zapasnik Kamil Zapasnik 
Reframing the European Other [EPUB ebook] 
Identity and Belonging in Contemporary French and German Cinema

Luchino Visconti (1906-1976) was one of Europe»s most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Robert …

This volume advances the contemporary debate on five central issues in the philosophy of film. These issues concern the relation between the art and technology of film, the nature of film realism, ho …

This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a …

Hollywood Musicals offers an insightful account of a genre that was once a mainstay of twentieth-century film production and continues to draw audiences today. What is a film musical? How do musicals …

Television provides a unique account of the development of a homosexual identity across the western world, emerging as it did when ideas around sex and sexuality were themselves only just beginning t …

Most of the Directors I»ve worked with needed someone to talk to who is deep inside the heart of the movie. — Mick Audsley, Film Editor Film editing is understood by the industry to be one of the mo …

In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to po …

Straight Skin, Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay, assessing performances that not only reflect heteronormative and explicitly homophob …

Federico Fellini»s masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed …

This book is a major new study — dealing with notions of film music as a device that desires to control its audience, using a most powerful thing: emotion. The author emphasises the manipulative and …