In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartimestructures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of thestudio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
Sue Harper & Vincent Porter
British Cinema of the 1950s [PDF ebook]
The Decline of Deference
British Cinema of the 1950s [PDF ebook]
The Decline of Deference
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Language English ● Format PDF ● ISBN 9780191541643 ● Publisher OUP Oxford ● Published 2003 ● Downloadable 6 times ● Currency EUR ● ID 2273880 ● Copy protection Adobe DRM
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