Combining a historical approach of Chineseness and a contemporary perspective on the social construction of Chineseness, this book provides comparative insights to understand the contingent complexities of ethnic and social formations in both China and among the Chinese diaspora in Southeast Asia. This book focuses on the experiences and practices of these people, who as mobile agents are free to embrace or reject being defined as Chinese by moving across borders and reinterpreting their own histories. By historicizing the notion of Chineseness at local, regional, and global levels, the book examines intersections of authenticity, authority, culture, identity, media, power, and international relations that support or undermine different instances of Chineseness and its representations. It seeks to rescue the present from the past by presenting case studies of contingent encounters that produce the ideas, practices, and identities that become the categories nations need to justify their existence. The dynamic, fluid representations of Chineseness illustrate that it has never been an undifferentiated whole in both space and time. Through physical movements and inherited knowledge, agents of Chineseness have deployed various interpretive strategies to define and represent themselves vis-à-vis the local, regional, and global in their respective temporal experiences. This book will be relevant to students and scholars in Chinese studies and Asian studies more broadly, with a focus on identity politics, migration, popular culture, and international relations.
“The Chinese overseas often saw themselves as caught between a rock and a hard place. The collection of essays here highlights the variety of experiences in Southeast Asia and China that suggest that the rock can become a huge boulder with sharp edges and the hard places can have deadly spikes. A must read for those who wonder whether Chineseness has ever been what it seems.” Wang Gungwu, University Professor, National University of Singapore .
“By including reflections on constructions of Chineseness in both China itself and in various Southeast Asian sites, the book shows that being Chinese is by no means necessarily intertwined with China as a geopolitical concept, while at the same time highlighting the incongruities and tensions in the escapable relationship with China that diasporic Chinese subjects variously embody, expressed in a wide range of social phenomena such as language use, popular culture, architecture and family relations. The book is a very welcome addition to the necessary ongoing conversation on Chineseness in the 21st century.” Ien Ang, Distinguished Professor of Cultural Studies, Western Sydney University .
Innehållsförteckning
1.Chineseness in Motion: The Historicity of Nation and Contingency of Ethnicity.- Part One: Historicizing the Construction of Chineseness.- 2.Demonstrating the Chineseness in the Forbidden City: From the Qing Court to the People’s Republic.- 3.The Embodiments of Chinese Identity: An Investigation of “Ancestral Sacrifices” to the Yan Emperor and Yellow Emperor.- 4.Negotiating Chineseness in the post-WW2 context of Singapore (1955-1965).5.- Academic Diplomacy, the Convergence of Sino-Thai Intellectual Nationalisms and the Chinese of Thailand.- 6.Workers as Human Power: Late-Qing Intellectual Discourse of Chineseness in the Stories of Chinese Labor in Latin America.- Part Two: Chineseness as a Social Construct.- 7.Rethinking the Position of Ethnic Chinese in Southeast Asia.- 8.“We are Southeast Asian Chinese”: The notion of ‘Chineseness’ among Chinese Bruneians.- 9.Continuity and Change: The Dynamics of Chineseness in Indonesia.- 10.Straightly Chinese: Censorship and Systemic Homophobia in Contemporary China.- Part Three: Constructing Chineseness in Popular Culture.- 11.Negotiating Chineseness through English dialects in Crazy Rich Asians.- 12.Language, identities and resistance: comparing two ethnic Chinese rappers from Malaysia and Singapore.- 13.Xinyao Talentimes: Television Sinophone Mediascapes and the making of Chinese-Singaporean identities in the 1980s.- 14.Becoming a Nanyang Style Artist in Postwar Singapore and Malaya: Georgette Chen’s Drawing and Her Construction of Asian Themes.- 15. Constructing and Interpreting Chineseness in Shaonu Manhua: An Ethnographic Study of the Production and the Consumption of Chinese Girls’ Comics.
Om författaren
Chang-Yau Hoon is Associate Professor and Director of the Centre for Advanced Research, Universiti Brunei Darussalam. He is also Adjunct Research Fellow at the University of Western Australia. At Singapore Management University, where he worked as Assistant Professor from 2008 to 2016, he won the SMU Teaching Excellence Award and SMU Research Excellence Award. Dr Hoon specializes on identity politics, diversity and inclusion, multiculturalism, and the Chinese diaspora in contemporary Southeast Asia.
Ying-kit Chan is a research fellow at the International Institute for Asian Studies, Leiden University. He received his Ph D in East Asian Studies from Princeton University and BA and MA in Chinese Studies from the National University of Singapore. He serves on the editorial board of the Malaysian Journal of Chinese Studies and is the editorial assistant of Nan Nü: Men, Women and Gender in China.
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