This volume examines music’s place in the process of Jewish assimilation into the modern European bourgeoisie and the role assigned to music in forging a new Jewish Israeli national identity, in maintaining a separate Sephardic identity, and in preserving a traditional Jewish life. Contributions include ’On the Jewish Presence in Nineteenth Century European Musical Life, ’ by Ezra Mendelsohn, ’Musical Life in the Central European Jewish Village, ’ by Philip V. Bohlman, ’Jews and Hungarians in Modern Hungarian Musical Culture, ’ by Judit Frigyesi, ’New Directions in the Music of the Sephardic Jews, ’ by Edwin Seroussi, ’The Eretz Israeli Song and the Jewish National Fund, ’ by Natan Shahar, ’Alexander U. Boskovitch and the Quest for an Israeli Musical Style, ’ by Jehoash Hirshberg, and ’Music of Holy Argument, ’ by Lionel Wolberger. The volume also contains essays, book reviews, and a list of recent dissertations in the field.
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