Georg Kauffmann 
Michelangelo und das Problem der Säkularisation [PDF ebook] 
155. Sitzung am 21. Januar 1970 in Dusseldorf

In this volume, Soe Marlar Lwin proposes a contextualized multimodal framework that brings together storytelling practitioners’ and academic researchers’ conceptions of storytelling. It aims to highl …

This collection offers a multi-faceted exploration of transmediations, the processes of transfer and transformation that occur when communicative acts in one medium are mediated again through another …

This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period. Magda Dragu distinguishes between the …

Pornographic Sensibilities stages a conversation between two fields—Medieval/Early Modern Hispanic Studies and Porn Studies—that traditionally have had little to say to each other. The collection off …

Living in the Magical Mode is for radical-, artist, performance- and everyday-walkers, Situationists and derivistes; artists and [site-specific] performers who use walking in their work; human, urban …

In this study, Gould argues that it was in the imperial capital’s theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle of …

Innovation in technology means that almost anyone can make an independent film these days. Although this may be good news for aspiring filmmakers, it also means that the oversupply of independent fil …

With the milestones of Digital TV and HDTV, there are lots of questions to be asked about television of today… Understanding Digital Television explains complex technical systems and solutions in a …

Audio/Video (AV) systems and Information Technology (IT) have collided. IT is being leveraged to create compelling networked media and file-based workflows. Video Systems in an IT Environment has hel …

First published in 1952. This volume explores the function of verse in drama and the developing way in which Shakespeare controlled the rhetorical and decorative elements of speech for the dramatic p …