Matamala Anna Matamala & Orero Pilar Orero 
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Although ostensibly presented as “light entertainment, ” the work of writer-director-producer Joss Whedon takes much dark inspiration from the horror genre to create a unique aesthetic and perform a …

What is education? Most of the time, we have little patience for this question because we take the answer to be obvious: we identify education with school learning. This book focuses on education out …

This is the third book in the ”Understanding the Moving Image” series. Like other books in the series, it aims to provide a strong critical and theoretical base for the study of the media. It has b …

Is it ever morally wrong to enjoy fantasizing about immoral things? Many video games allow players to commit numerous violent and immoral acts. But, should players worry about the morality of their v …

This is the first major book-length study of the work of Australian film-maker Baz Luhrmann, one of the most exciting and controversial personalities working in World Cinema today. Luhrmann”s reputa …

Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. …

George Kleine was a New York City optician who moved to Chicago in 1893 to set up an optical store. In 1896 he branched out and began selling motion picture equipment and films. Within a few years he …

Throughout her career, Natalie Wood teetered precariously on the edge of greatness. Trained in the classical Hollywood studio style, but best mentored by Method directors, Wood was the ideal actress …

Detailing the genesis, production history and different versions of ”Once Upon a Time in America”, this study considers the film within the context of Leone”s evolution as a grand cinema stylist. …

The book provides a detailed introduction to the essential themes, style, and aesthetics of Pedro Almodovar”s films, put in the context of Spain”s profound cultural transitions since 1980. With pre …