Michaela Harnick & Paul I Trensky 
Fiction of Josef Skvorecky [PDF ebook] 

Romantic Border Crossings participates in the important movement towards ”otherness” in Romanticism, by uncovering the intellectual and disciplinary anxieties that surround comparative studies of B …

Crime Fiction provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Using examples from a variety of novels, short stories, films and televisions series, Jo …

Using the example of The Tale of Peter Rabbit by Beatrix Potter to explore the impact of new media and technologies on how children learn about stories and reading, this book investigates nearly 100 …

’If the past is indeed a foreign country, then how can we make sense of its richness and difference, without approaching it on our terms alone? ”Pre-histories” and ”afterlives”, methods that have …

Saints are currently undergoing a resurrection in middle grade and young adult fiction, as recent prominent novels by Socorro Acioli, Julie Berry, Adam Gidwitz, Rachel Hartman, Merrie Haskell, Gene L …

Doctor Faustus, is Christopher Marlowe”s most popular play and is often seen as one of the overwhelming triumphs of the English Renaissance. It has had a rich and varied critical history often arous …

Women”s Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Ka …

Bookending the chronology of this collection are two crucial moments in the histories of pain, trauma, and their staging in British theater: the establishment of secular and professional theater in L …

Originally published in 1923, this study outlines the aims and methods of roman poets as well as focussing on technique and subject. Sikes’ critique of the subject delves into the general character o …

First published in 1981. This study concentrates on the exponents of the central period of German Romanticism, regarding as characteristic the mode in which the poet’s self becomes active only in res …