As countless alterations have taken place in medicine in the twenty-first century so too have literary artists addressed new understandings of disease and pathology. Dis/ability studies, fat studies, mad studies, end-of-life studies, and critical race studies among other fields have sought to better understand what social factors lead to pathologizing certain conditions while other variations remain “normalized.” While recognizing that these scholarly approaches often speak to identities with radically different experiences of pathologization, this collection of essays is open to all critical engagements with narratives of health in order to facilitate the messiness of cross-disciplinary collaboration and interdisciplinarity. As scientific advances provide insight into a wide range of well-being issues and help extend life, it is vital that we come to question the very categories of “healthy” and “unhealthy.” This collection brings together analyses of cultural productions which probe those categorizations and suggest new psychological and philosophical understandings which will help better apply and guide the knowledge being rapidly developed within the life sciences. “Right of health” is a widely accepted human right, but in applying a right to healthcare what care and what sort of health are less universally agreed upon. The contributors share an interest in addressing who controls answers to the questions of “how do we define a healthy body and a healthy life?” and “what are the political forces that influence our definitions of health?”
Innehållsförteckning
List of Figures; Acknowledgments; Notes on Contributors; Introduction, Neil Brooks and Sarah Blanchette; PART I. INSTITUTIONAL NARRATIVES; Chapter 1. The Laboring Body and the Slave Trade: An Enduring Narrative of Health and Illness, Mitchell Gauvin; Chapter 2. Projecting Eugenics and Performing Knowledges, Evadne Kelly, Seika Boye and Carla Rice; Chapter 3. Grief Supremacy: On Grievability, Whiteness and Not Being #allinthistogether, Jennifer Poole and Carmen Galvan; Chapter 4. Creating Categories, Eli Clare; PART II. SOCIOCULTURAL NARRATIVES; Chapter 5. Mothers Who Know Best: Narratives of Motherhood and Epistemological Anxieties in Vaccine Hesitancy Discourse, Jessica Polzer and Pamela Wakewich; Chapter 6. The Cultural Production of Commodifying Under Resourced Bodies, Aaron Martin, Clarisa Barrera Garza, Mubashar Khan and Lauren Mc Kenzie; Chapter 7. When Progressivism Goes Mad: Spiritualism and the Euthanization of the Spiritually Unfit, Dan Graham; Chapter 8. American and Taiwanese Conceptions of Suicide in Emily X. R. Pan’s The Astonishing Color of After, Gracie Marsden; PART III. FICTIONAL NARRATIVES; Chapter 9. Sadness, Madness and Vigor in Jessie Redmon Fauset’s The Chinaberry Tree, Patricia A. Milanes; Chapter 10. Death, Cruelty and Magical Humanism in the Fiction of Terry Pratchett, Christopher Lockett; Chapter 11. Mental Illness and Radical Caregiving in Sepia Leaves and Em and the Big Hoom, Amala Poli; Chapter 12. Cast-off Casts: The Orthopedic Imagination in Dear Evan Hansen and Lady Bird, Matthew Tomkinson; Index.
Om författaren
Neil Brooks is Chair of the Department of English and Cultural studies at Huron University College, London, Ontario, Canada.
Sarah Blanchette is a Ph D candidate in the Department of English at Western University, London, Ontario, Canada.
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