Aristophanes (c. 460 – c. 380 BCE) was the most famous writer of Old Comedy plays in ancient Greece and his surviving works are the only examples of that style. His innovative and sometimes rough comedy could also hide more sophisticated digs at the political elite and deal with social issues such as cultural change and the role of women in society. Indeed, the plays of Aristophanes are not only a record of Greek theatre but also provide an invaluable insight into many of the poli...
Aristophanes (c. 460 – c. 380 BCE) was the most famous writer of Old Comedy plays in ancient Greece and his surviving works are the only examples of that style. His innovative and sometimes rough comedy could also hide more sophisticated digs at the political elite and deal with social issues such as cultural change and the role of women in society. Indeed, the plays of Aristophanes are not only a record of Greek theatre but also provide an invaluable insight into many of the political and social aspects of ancient Greece, from the practicalities of jury service to details of religious rituals in major festivals.
Plato presents a fictional gathering of historical characters in his Symposium, but Aristophanes was still well known at the time of its creation (380s BCE) and, therefore, we may assume that the portrayal of Aristophanes reflected this fact and was recognisably accurate. The poet is presented as a rather amiable chap, sociable, and someone who ‘divides his time between Aphrodite and Dionysos’, i.e. likes women, boys, and wine. That Plato was favourably disposed to Aristophanes is evidenced in the positive tones of the epitaph he later wrote for the great poet. Plato did, however, in his Apology, blame the poet for fuelling a public distrust of Socrates.
Aristophanes was most probably instrumental in the evolution of the Greek comic theatre, for example, in the role of the chorus and the reduction in topical references. Using parody, puns, and bold and colourful language, he was able to convey the full spectrum of emotions and, through satire and ridiculous exaggeration, he poked fun at the more ridiculous facets of Greek city-life. Few public figures escaped his sharp wit, and politicians such as Kleon and fellow artists like Euripides were a favourite target as were, on occasion, the populace as a whole.
Not all subjects could be given the comic treatment; for example, higher gods such as Zeus and Athena and certain aspects of Greek religion had to be given due respect and Aristophanes was once charged by the council of Athens when, in The Babylonians (426 BCE) and during wartime, he represented the Greek city-states as Babylonian slaves on a treadmill. Nevertheless, the plays of Aristophanes are indicative of the high degree of freedom of speech tolerated in 5th century BCE Athens.
