ผู้เขียน: Alexander Marr

<b>Alexander Marr (Author) </b><br> <b>Alexander Marr</b> is professor of the history of early modern art at the University of Cambridge and a fellow and dean of disciple of Trinity Hall. He is the author of <i>Rubens’s Spirit: From Ingenuity to Genius</i> and coauthor of <i>Logodaedalus: Word Histories of Ingenuity in Early Modern Europe</i>.<br><br><b>Raphaële Garrod (Author) </b><br> <b>Raphaële Garrod</b> is associate professor in early modern French at the University of Oxford and a fellow of Magdalen College. She is the author of <i>Cosmographical Novelties: Dialectic and Discovery in French Renaissance Prose.</i><br><br><b>José Ramón Marcaida (Author) </b><br> <b>José Ramón Marcaida</b> is lecturer in art history at the University of St Andrews, where he works on the intersections of art and science in the early modern Hispanic world. He is the author of <i>Arte y ciencia en el Barroco español. </i><i>Historia natural, coleccionismo y cultura visual</i> and coauthor of <i>Logodaedalus: Word Histories of Ingenuity in Early Modern Europe</i>.<br><br><b>Richard J. Oosterhoff (Author) </b><br> <b>Richard J. Oosterhoff </b>is lecturer in early modern history at the University of Edinburgh. He is the author of <i>Making Mathematical Culture: University and Print in the Circle of Lefèvre d’Étaples</i> and coauthor of <i>Logodaedalus: Word Histories of Ingenuity in Early Modern Europe</i>.<br><br>