The notion of spectatorship has become of increasing interest as artists develop experimental works and manufacturers seek to produce the means for viewing such works. Modes of Spectating explores the visual landscapes which spectators encounter, and how they perceive what they view.The volume questions the effect of different mediums on the spectator and asks not only how we view, but also how what we view determines what artists create. Chapters discuss how gaming and televisual media and entertainment are used by young people, and the resulting psychological challenges of human beings in their new ‘spectated’ surroundings of virtual worlds and media. Themes explored include aesthetics, the body and mind and digital entertainment environments, looked at through the lenses of gaming art, photography, sculpture and performance, making it a useful text for scholars of all disciplines of media and art.
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At the age of 8 Christine White did a solar energy project as her dad was doing his HND in electrical engineering at night-school and his project was solar power. He talked to her about the planet and the need to harness hydro-electricity and energy from the sun. He got his HND and she got a gold star for her project. She now owns solar panels and spends quite a bit of time wondering what else she can do. She is also the Deputy Dean for the Faculty of Arts, Design and Humanities at De Montfort University and she is with colleagues endeavouring to put sustainability in all its senses into all that they do. Her Ph.D. was about design and lighting design and so she is interested in what the creative sector with other technologists can do to make this still possible but greener and cleaner. If you have an interest in undertaking a Ph.D. with her in this research area then do get in touch.
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